Ajit Patel: Indian Colors

Ajit Patel: Indian Colors

Based in Mumbai, Ajit Patel is an award-winning freelance advertising photographer, with the background of having produced documentary movies in London.

His website reflects his initial passion for black & white, but that has evolved to color. His favorite camera is the Hassleblad X-Pan because, as he puts it, he enjoys the space it provides in composing visual elements.

There are a number of galleries which demonstrate Ajit's careful composition and love of colors. For instance, his photographs in the Indian Colors gallery underscore these very talents. And perhaps influenced by Degas, Ajit shows us a lovely subdued mood in his gallery titled Ballet School.

A versatile photographer, Ajit's galleries is certainly worth your time...I only wish his photographs were shown in a larger size to appreciate them better.

Poras Chaudhary: Colors of India

Poras Chaudhary: Colors of India

Poras Chaudhary is a freelance photojournalist and a documentary photographer, who started photography in earnest in 2005. Influenced by the work of various Magnum photographers, he is self-taught photographer and prefers highly saturated color work.

He won a number of awards including the Digital Camera Magazine’s ‘Photographer of the Year’ award in 2006, National Geographic Traveler’s photo contest Merit Award winner in 2008 as well as being a Runner Up in ‘Epson Color Imaging Contest 2008’.

While the above image is of Poras' gallery "Festival of Colors", I'd suggest you also navigate to his Ladakh gallery, where you'll see one of the best photographs of his collection; the three Bakarwal shepherds.

Holi, also called the Festival of Colors, is a popular Hindu spring festival observed in India, Nepal,Bangladesh, and countries with large Hindu diaspora, and is said to have a medicinal reasons. The spring season is believed to cause viral fever and cold, and the colored powders used during the festival are made of Ayurvedic medicinal herbs.

Perhaps we should try this out to combat H1N1 flu infections?

"posted by TTP robot"

My Work: Manali Street Barbers

My Work: Manali Street Barbers

Photo © Tewfic El-Sawy-All Rights Reserved
Alongside a participant (who's somewhat visible in one of the mirrors) in my multimedia class at the Foundry Photojournalism Workshop in Manali, who's presenting a photo story about street barbers, I photographed some of them in one of the main alleys of the small town. It seems that these particular street barbers have been working on the same site for over 35 years, and they (as evidenced by the constant stream of clients) have a thriving business, despite their protestation to the contrary.

The Foundry Photojournalism Workshop is, by all accounts, a terrific success and its finale is today in the evening where some 70 students will present their work, after a face off with their instructors in a "friendly" game of cricket.

Palani Mohan: VIVID

Palani Mohan: VIVID

Here's VIVID, a blast of colors that will surely jolt your senses into overdrive! It's a collection of "color-caffeinated" photographs by Palani Mohan of various (mostly of the Indian Holi festival) scenes of tremendous color.

Palani was born in Chennai, India, and moved to Australia as a child. His photographic career started at the Sydney Morning Herald newspaper, and since then he has been based in London, Hong Kong, Bangkok, and now Kuala Lumpur. Malaysia.

His work has been published by many of the world's leading magazines and newspapers including National Geographic, Stern, Time, Newsweek, and The New York Times. He also published three photographic books. Palani's work has been recognized with awards from World Press Photo, Picture of the Year, National Press Photographers Association, American Photo and Communication Arts. He is represented by Getty Images' Reportage Group in New York.

The Travel Photographer blog previously featured Palani Mohan's work here.

Soham Gupta: The Down & Outs of Howrath

Soham Gupta: The Down & Outs of Howrath

Photo © Soham Gupta-All Rights Reserved

 Following my post of yesterday on my forthcoming Kolkata Cult of Durga Photo-Expedition, I thought it timely to feature Soham Gupta's work on the homeless of Howrah. Soham is a Kolkata-based humanitarian photographer, who specializes in documenting social injustice and works with disadvantaged children. He started as a writer, but later realized that he had the ability to tell stories in a better way, through photographs.

The Down & Outs of Howrah is a haunting photo-essay on some of the destitute who live near the world-famous Howrah Railway Station. Howrah is situated on the west bank of the Hooghly River, and is linked to Kolkata by the famous Howrah Bridge. It is a twin city of Kolkata, and is the second largest city of West Bengal in terms of both area and population. Its railway station is the busiest and second-oldest station, and one of the largest railway complexes in India.

Soham tells us that most of these homeless individuals are drug users, and have developed mental disorders. Some of them carry the HIV virus because of shared syringes.

I encourage you to visit his website, and explore his other galleries. He documents the Bishnois, the Rajasthani gypsies and the Pushkar Fair. I consider his edgy and high contrast black & white photograph to be influenced by what I call the "Bangladeshi" school. You be the judge.

Kolkata's Cult of Durga: New 2011 Photo Expedition

Kolkata's Cult of Durga: New 2011 Photo Expedition

I'm pleased to announce details of my Kolkata's Cult of Durga Photo Expedition™ scheduled from September 29 to October 13, 2011.

Kolkata's Durga Puja is the most important religious festival of West Bengal, celebrating the Hindu goddess Durga. Due to its importance, it's the most significant socio-cultural event in Bengali society of the year. It's during this annual spiritual event that I shall conduct a photo expedition/workshop.

The purpose of this photo~expedition is to photograph the innumerable rites associated with the Durga Puja festivities; and since Kolkata offers a diverse, gritty, and a visually compelling environment to photographers, it'll also be a "street-photography-heavy" workshop, with a multimedia component.

For details, drop by Kolkata's Cult of Durga Photo Expedition™

Samih Güven: India & More

Samih Güven: India & More

Photo © Samih Güven-All Rights Reserved

Samih Güven is a Turkish photographer currently residing in Paris. Despite degrees in political sciences and Turkish language/Oriental civilizations, he practiced photography for over 20 years. His recent voyage to Asia is encouraging him to become a professional photographer, and to take up formal training in photojournalism.

He is also a founder member of a French collective called Phrawup.

Take a look at his India color portfolio from which the above photograph is taken, as well as those of Burma, China and Nepal to name but a few. His galleries are both in color, and black & white.

Trances At Sufi Shrine (Denver Post's PBlog)

Trances At Sufi Shrine (Denver Post's PBlog)

Photo © Manan Vatsyayana (AFP/Getty)

The Denver Post's Photo Blog of the week 12.10.2010 features an interesting photograph by Manan Vatsyayana (AFP/Getty) of an Indian devotee seemingly going into a trance to rid herself of evil spirits. This happened earlier this month at the Hazrat Shah Dana Wali Dargah in Bareilly in Uttar Pradesh. It's north of Lucknow and about 200 miles from Delhi. Thousand of devotees from all religions visit the 650-year old shrine of Sufi saint each Thursday to seek blessings for their family and ward off evil spirits.

This is topical as I shall soon be traveling to Gujarat to lead In Search of the Sufis of Gujarat Photo Expedition™, during which our small group will photograph at various Sufi shrines in the area, and where trances and exorcisms frequently take place.

While I've seen devotees exhibit mild trances especially during qawalli performances at the shrine of Nizzam Uddin in Delhi, I also witnessed extreme displays of religious trances in Varanasi, the quintessential Hindu religious city. I spent a couple of days photographing at the dargah of the Sufi saint Bahadur Shahid, where trances and loss of consciousness by devotees were the norm. Hindus, Sikhs and Muslims mingled and sought blessings from this Muslim saint, and some of them went into intense trances. I got the lead to the venue from a NY Times article.

To see more of these practices, here's an audio slideshow I produced and a stills gallery of my photographs at Bahadur Shahid.

My Book: Darshan

My Book: Darshan

I'm chuffed to announce my new photo book DARSHAN is now available from Blurb. There are two styles of the book (72 pages with black & white photographs) on Blurb's bookstore. It's a large (13x11 inches) landscape hardcover version with either a hard cover dust jacket, or a hard cover with image wrap. I much prefer the latter.

It's a handsome book of selected black & white photographs from my travels to India over a span of no less than 10 years. Street photography in Old Delhi and in the alleys of Kochi, portraits of Sufis at the dargahs, Theyyam rituals of Malabar, Rajasthani nomads, Gujarati tribals, widows in their ashrams of Vrindavan and sadhus on the ghats of Varanasi, as well as pilgrims at the Maha Kumbh Mela.

All the details are available on a page of my website DARSHAN. If you choose to buy, the links will take you to my bookstore on Blurb, which has a preview of the book.

If you don't choose to buy, that's okay...but why don't you leave a nice comment on its Blurb page??? It'll be appreciated.

Dennis Cordell: Buddhist Monks

Dennis Cordell: Buddhist Monks

Photo © Dennis Cordell-All Rights Reserved

383...that's the number of square format black & white portraits of Buddhist monks (and a few sadhus) that Dennis Cordell is exhibiting on his website; all made with a film Hasselblad which he prefers to the 35mm format. These are not photographs made because the subjects are handsome or beautiful...they're are ethnographic in nature. I believe he uses and pushes Tri-X film, then scans the negatives and prints digitally. I've featured Dennis' portraits of Buddhist novices at the Gyudzin Tantric Monastery School in Ladakh before. These were published on Flickr, but he has now acquired a standalone website.

I'm not certain where all these impressive portraits were made, but I did notice that some had background information that indicated Bodh Gaya. A religious site and place of pilgrimage in the Indian state of Bihar, Bodh Gaya is famous for being the place of the Buddha's attainment of enlightenment. It is one of the most important of the main four pilgrimage sites related to the life of the Buddha. The other three are Kushinagar, Sarnath (both in India) and Lumbini (Nepal).

Dennis trained as a painter, and his favorite subject matter, either in painting or in photography, has always been portraiture...especially of Buddhist monks and similar. He prefers black & white because, in his own voice: "The greater the range of tonality between black and white, the greater, for me, is the image. A photo can never have too many shades of grey. Greys are the midtones that create the designs and textures woven into the photo."

I agree. This is the case, perhaps not always...but often. As I mentioned in an earlier post about my own photographs of Bali, I got too much color while there...and I found black & white more calming...more soothing and more, in a strange way, realistic.

Fred Canonge: Pehlwan of Benares

Fred Canonge: Pehlwan of Benares

Photo © Fred Canonge-All Rights Reserved

Pehlwani (also known as Kushti) is a traditional style of wrestling popular in the sub-continent of India, Pakistan and Bangladesh. The wrestler is known as pahlawan which, interestingly for those who are etymologists, is the colloquial Arabic word meaning "clown". I wouldn't tell this to these wrestlers, as they would be offended and I'd be on the mat in less than a second.

Based in Paris, Fred Canonge is a French freelance photographer who has extensively travelled in India for the last ten years, and is constantly exploring all the nuances and the diversity of Indian society. His website is replete with galleries of India, including some of images made in Kathputli and Varanasi, but the gallery which I liked the most has his work on the pehlawan.

Varanasi has a number of traditional wrestling training gyms (known as akhara), and one can spot them working with rudimentary weights near Tulsi ghat. The wrestlers' diets consist of milk, almonds, ghee, eggs and chapattis, but have a difficult time making ends meet. Some of them find work as bodyguards to those who need protection or as "enforcers" during political elections.

LATimes' Framework: Chhath Festival

LATimes' Framework: Chhath Festival

Photo © Narendra Shrestha/EPA

 The Los Angeles ' Times large image photoblog Framework has featured a number of lovely photographs from around the world this past week. I liked this one by EPA photographer Narendra Shrestha of a Nepali woman staring while offering fruits and coconuts to the setting sun during the Chhath festival in Kathmandu.

The Chhath festival is observed by Hindus in India and Nepal, and it's performed in order to thank the Sun god Surya for sustaining life on earth, and to ask for the granting of wishes. The rituals include bathing, fasting and abstaining from drinking water, standing in water for long periods of time, and making offerings to the setting and rising sun.

Dilla Djalil-Daniel: Kolkata's Durga Puja

Dilla Djalil-Daniel: Kolkata's Durga Puja

Photo ©Dilla Djalil-Daniel- All Rights Reserved

Photo ©Dilla Djalil-Daniel- All Rights Reserved

Photo ©Dilla Djalil-Daniel- All Rights Reserved

Photo ©Dilla Djalil-Daniel- All Rights Reserved

Photo ©Dilla Djalil-Daniel- All Rights Reserved

Dilla Djalil-Daniel is a photographer currently living in Jakarta, and just returned from Kolkata where she photographed the city's exuberant festival of Durga Puja.

Although she travels around the world for her photography, especially in Asia and has a large portfolio that ought to be shown on her own personal website, Dilla has yet to have one. It's a shame really...but to make up for it, here's a selection of her Durga Puja work.

Durga Puja is the biggest festival in Bengal, and it's also known as Dussehra and Navaratri in other parts of India. Durga is the goddess of divine power against all evils. The festival traditionally starts when thousands offer prayers to their ancestors at the city's ghats, and drummers with ceremonial drums descend on the city. During the festival, thousands of pandals (structures to carry the religious icons and idols) are on display all over Kolkata, and are visited by throngs of people. On the final day of the festival, these pandals with the idols are carried in processions, and immersed in the Ganges.

Ken Hermann: Sadhus of the Kumbh

Ken Hermann: Sadhus of the Kumbh

Photo ©Ken Hermann-All Rights Reserved

Ken Hermann is a photographer based in Copenhagen, Denmark and is a member of the Behance Network. He has a personal website, but I get a no access message when I try to view it.

No matter, his portraits of Sadhus made during the 2010 Kumbh Mela in Haridwar can be seen on here.

Sadhus attend Kumbh Mela festivals and are amongst the many driving forces behind these festivals, and are also a magnet for photographers and photojournalists because of their appearance, and lifestyle.

The normal Kumbh Mela is celebrated every 4 years. The Ardh Kumbh Mella is celebrated every six years at Haridwar and Prayag, as the one earlier this year. The Purna Kumbh takes place every twelve years at four places: Allahabad, Haridwar, Ujjain, and Nashik. The Maha Kumbh Mela occurs after 12 Purna Kumbh Melas, or 144 years, and is always held at Allahabad. This is the one I attended in January 2001 along with  60 million other people.

Charlotte Rush Bailey: Kutch Classic

Charlotte Rush Bailey: Kutch Classic

Charlotte Rush Bailey joined my Tribes of Rajasthan & Gujarat Photo-Expedition ™ earlier this year, and has just published her photo book titled Kutch Classic: Portraits from Northern Gujarat of her photographs made on that trip, which is a wonderful visual compendium of this magnificent region of India.

The book is full of photographs of Kutch tribals; most are portraits, some processed in the photographer-author's signature style. Charlotte chose purple as the predominant color for her book, basing it on the lovely woman's veil on its cover. I also happen to think that Charlotte will follow up with another book, possibly titled Portraits from Southern Gujarat, on her return from another photo expedition next January. We'll see....

Published and available through Blurb, the link above provides a preview of some of the book's pages.

For more of Charlotte's work, visit her website.

I really wish that many more of photographers who join my photo~expeditions publish their work in book form. That would be so gratifying! I may be mistaken but I only know of one other photographer-participant who does that. It's not an easy task to prep and publish a book, but the eventual satisfaction is just sublime.

Christian Bobst: Tibetans In India

Christian Bobst: Tibetans In India

Photo © Christian Bobst - All Rights Reserved

Christian Bobst is a Swiss photographer based in Zürich who originally studied graphic design, and became interested in documentary photography.  While working for advertising agencies, he won several national and international advertising awards.  At this time, he works as a freelance art and creative director as well as a documentary photographer.

Dharamsala, or more accurately Mcleod Ganj, is the home of the Dalai Lama and the exiled Tibetan government. The Tibetan settlement of Dharamsala began in 1959, when the Dalai Lama had to flee Tibet, and was allowed to settle in Upper Dharamsala or McLeod Ganj. It's sometimes known as 'Little Lhasa' after the Tibetan capital city.

Christian's photo gallery of the transplanted Tibetans who live in Dharamsala explores the Tibetans' way of life in this small town in north India in their homes, stores, at the doctor and their places of worship. Even if you've never been to Dharamsala, these photographs will give you an excellent insight on the small Tibet enclave in north India.

The above photograph is a classic street photography gem. The Indian woman in the traditional shalwar kameez eying the passing Tibetan in her own dress.

My Work: Dharamasla Matriarch

My Work: Dharamasla Matriarch

Photo © Tewfic El-Sawy - All Rights Reserved

Here's an environmental portrait of a Tibetan matriarch in one of the alleys of Dharmasala in northern India. It's been over 5 years ago since I've been to Dharamsala, and my photographic style has evolved noticeably.

I would have photographed this woman differently now. She would have been most certainly less rigid, and I would have spent much more time making her more comfortable before any photographs were made. I occasionally revisit my photographs of a few years back to trace back my photographic evolution; a gradual evolution moving from simple portraits to more complex scenes...moving from travel "pretty pictures" to the less pretty ones, towards more of a documentary style.

I am always attracted to interesting physiognomies...what photographer isn't?...but I now see them more in the context of their environment, of their surroundings and of the story they emanate just by their being there .

Theodore Kaye: Theyyam Dancers

Theodore Kaye: Theyyam Dancers

Photo © Theodore Kaye-All Rights Reserved

Theodore Kaye grew up in China, India and Indonesia. While majoring in Film, he studied also Uzbek and Farsi and worked as a newspaper editor and mountain guide in Central Asia.

Subsequently he was a staff photographer at Rhythms Monthly, a Chinese-language geographic magazine, and covered stories in India, Sri Lanka, Tajikistan, Taiwan, Japan, Ireland and Great Britain. His work has been featured by the New York Times, the International Herald Tribune, the Asahi Shimbun and the National Film Board of Canada.

I was particularly attracted to his Theyyam Dancers of North Kerala for the vibrancy of his photographs. Interestingly, it seems that Theodore was guided to these performances by a contact who lives in Dubai, and organized his Keralite relatives and neighbors to provide him with all the support he needed to document these dances.

Theyyam is a unique ritual which is performed only in Northern Kerala. After a complex preparatory ritual involving elaborate make-up and meditation, the performers are incarnated as deities, and dispense advice and counseling to the throngs of devotees who attend these rituals. It's a living cult of several thousand-year-old traditions, rituals and customs, and is observed by all the castes and classes in this region.

My own gallery of Theyyam Incarnate Deities is here.

Walter Astrada: Undesired

Walter Astrada: Undesired

"Fear is contagious, but courage is also contagious" - Ruchira Gupta

Here's an extremely well done production (click the image) by MediaStorm of the remarkable work by photojournalist Walter Astrada. It deals with the issue of Indian women having to face immense cultural pressures to bear a son. This arises from the belief that males earn money while females do not, and are financial burdens on their families due to the tradition of dowry payment.

The multimedia reportage informs us that "The numbers are staggering. Since 1980, an estimated 40 million women are 'missing,' by way of abortion, neglect or murder. 7,000 female fetuses are aborted every day according to the U.N., aborted solely because they are girls. One dowry death is reported every 77 minutes. Countless others are never known."

Although the Indian government has declared dowry and sex selective abortions illegal, these practices are still followed because of cultural prejudices, and traditions.

I've noticed that Walter Astrada photographed in Vrindavan, the so-called City of Widows where I photographed as well a couple of years back. In that particular segment, it seems to me that there's somewhat of an inaccuracy. One of the text panels suggests that widows in traditional families are not allowed to remarry, and are abandoned by their husbands' family. Since the following photographs are of a widows' ashram in Vrinadavan, it could be construed that all widows of traditional families in India are sent to live the rest of their lives in these refuges.

That's not the case.

Only those women of extreme poverty with no other means of personal or extended support will come to Vrindavan and other places like it.

My Work: Old Delhi's Khari Baoli

My Work: Old Delhi's Khari Baoli

Photo © Tewfic El-Sawy-All Rights Reserved

Khari Baoli is reputed to be one of Asia's largest wholesale spice market, and is accessible from Chandni Chowk Road in the heart of Old Delhi. It's one of my favorite haunts whenever I'm in Delhi, and it's a wonderful area for some serious street photography. Of course, going there is also an excuse to stop by Kareem's for its famed kebabs.

Photo © Tewfic El-Sawy-All Rights Reserved

The area is full of explorable narrow alleys, while porters hurry with massive jute bags of spices jostle passer-bys. The atmosphere is almost medieval, with the spice and rice traders carrying on the business of their ancestors. Nothing has changed much over the years.

Photo © Tewfic El-Sawy-All Rights Reserved

In a small cubicle under a store, one of the area's chai-wallahs is straining the concoction into glasses. Chai or masala chai is a blend of cardamom, cinnamon, ginger, cloves, and black pepper, mixed with a rich black tea, milk, and a sweetener.

Photo © Tewfic El-Sawy-All Rights Reserved

The spice market's feverish activity of carrying or unloading of huge sacks of spices and goods from manual trolleys is occasionally interspersed by laborers resting and smoking their sweet-smelling bidis .

Photo © Tewfic El-Sawy-All Rights Reserved

I am definitely in the midst of a black & white phase. When I was producing my Bali: The Trilogy audio slideshows, I thought it was a contrarian reaction to the surfeit of color I've witnessed in Bali. Perhaps it was...but I looked at the above photographs in color, and sensed they'd look better in monochromatic tones. Perhaps I wanted to convey the grittiness of Khari Baoli, and black & white does that better.

Whatever it is,  I'm enjoying it a lot.